Six quirky but doughty children encounter the path of a immense and dreadful paranormal darkness that has invaded our realm from the outer limits of shadow. They must wage a lifelong battle confronting it, enduring horror after horror in the struggle.
This describes the premise, broadly speaking, of the master of horror’s iconic book It (arguably his finest; undeniable). It parallels of King’s son Joseph Hillstrom King’s latest massive horror novel, in which a close-knit group invoke the primordial, infinitely malicious dragon the Dragon King from the Abyssal Void to help them defeat some villains. Unsurprisingly, their otherworldly invocation has unintended consequences.
Joseph Hillström King started his career going to great lengths to distance himself from his renowned parent, publishing under the pen name he still uses today and steering clear of encounters with his agent (he bears a striking resemblance to his parent). Yet with this recent release, he fully acknowledges it. Certain passages that consciously reflect some of his father’s iconic (that classic opening line); a moment that brings to mind a King plot point (a battle of wits). In this whopper of a novel, Joe Hill takes pleasure in his heritage, and readers share in the joy.
Focusing on the companions: most are students at the fictional this academic setting in this northeastern locale. We have Arthur, bookish and brilliant, solving historical enigmas in his free moments; another key figure, rich, sharp, and known for crushing anyone who stands in his way; twins Donna and Donovan; the stunning the lovely Allie. And there’s Gwen, who doesn’t study with them, but assumes a vital role of their band as they toy, half believing, somewhat doubtful, in arcane arts.
The protagonist finds himself, as a result of external pressures, obliged to take valuable volumes from his treasured institution’s archives by a set of regional villains. This tears at his bookish heart, notably because he’s made to take the institution’s prized and chilling work: the logbook of occultist the historical figure (put to death “for trafficking with the devyll in 1703”; the cover is made from his skin). Our Scooby gang peruse the diary, discover they could summon what the occultist details as a “arrogant beast to aid our hero with his blackmail problem – and occupy the subsequent narrative reaping the consequences. This ancient entity will indeed rid them of those troublesome local drug dealers, but they’ll have to choose a new sacrifice annually or fall prey to the beast. In the character’s own words: “You sow dragon’s teeth, all you get is more dragons.”
Covering a generation, Joe Hill transitions with effortless ease between genres: as the allies strive to manage the situation they find themselves in by, variously, choosing undeniably wicked targets to immolate, or seeking means to slay the beast themselves, we transition from page-turner to grim fantasy, clandestine torment to love story to fright. My favorite genre switch was to a quest story, deep in the caves below Cornwall, a segment tinged by the Lord of the Rings author that was wonderfully frightening.
There are trolls – those living under bridges and internet antagonists, properly scary and expertly realized. We see enchanted blades and deceptions, pulse-pounding sequences of courage and instances of appalling malevolence, both human and supernatural. It’s a tour de force: a frightening tale that is primarily a paean to the creative spirit, and to love and friendship. “We longed for a tale to embrace and {now we’ve got one|presently we possess it|currently we hold it,” says this character as the friends assemble around a surface, making preparations to call forth their serpent into being with the strength of their collective will.
In the author’s own words in his introductory quote: “Here be dragons”. Do not overlook this.
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